Q Life Magazine Q Magazine (US) May 2016 | Page 35

Transcending Borders: Art in Qatar and the U.S. | Public Art: A Tool of Diplomacy Art is an intrinsic part of the Qatari identity. While public art has ancient roots, today it works as a powerful instrument of both diplomacy and cross- cultural understanding. S ince late 2015, the colors of the Qatari flag have shone brightly on a Plexiglas candy statue outside the Embassy of the State of Qatar in Washington, D.C., aiming to inspire cross-cultural discourse and compassion. As a universally-understood part of human nature, art is capable of breaking down the barriers that exist between cultures and peoples. Qatari diplomats are proud to display the new sculpture outside of their Embassy: the white and maroon piece serves as a reminder to visitors that cultures around the globe share the same artistic values. During the statue’s unveiling ceremony in 2015, Ambassador Mohammed Al- Kuwari stated, “In Qatar, we showcase works all over the country by talented individuals, both local and internationally renowned artists. As Ambassador, I can strongly affirm that art is part and parcel of diplomacy. Diplomacy that neglects to include art is doomed to disappointing failure.” The statue, which was designed by acclaimed French artist Laurence Jenkell, will permanently reside outside of the Embassy in Washington, D.C. The building’s newest addition demonstrates shared values and principles between peoples of the world, while serving as a testament to both civil life and Qatari cultural heritage. Public art exists all across the globe, and with this new statue, Qatar hopes to advance the belief that art and diplomacy are a truly inseparable entity. 35